Editor's Choice: December 2024 | The best new classical recordings
Featuring outstanding new releases from Alisa Weilerstein and Inon Barnatan, Xiayin Wang, James Ehnes, Jean-Guihen Queyras and more
Featuring outstanding new releases from Alisa Weilerstein and Inon Barnatan, Xiayin Wang, James Ehnes, Jean-Guihen Queyras and more
Gramophone’s writers look back over an impressive year for the recording industry and select their favourite albums
Kathryn Stott’s retirement brings to a close a four-decade-long duo partnership with Yo-Yo Ma, one filled with fun and adventure, as they tell Richard Bratby
Fauré’s most famous works are rightly revered, but as we mark the centenary of the composer’s death, Tim Ashley encourages us also to look beyond these to discover a more complex and richly rewarding legacy
The conductor discusses Merton College, Oxford's recording of a major new commission
'All we get is life' is a century-hopping exploration of two composers whose musical ideas have many things in common
The new album features music from the composer's twenties
Marking the start of the Christmas season with a festive performance
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Featuring outstanding new releases from Alisa Weilerstein and Inon Barnatan, Xiayin Wang, James Ehnes, Jean-Guihen Queyras and more
All of these outstanding classical albums were Editor's Choices in Gramophone magazine and are highly recommended. If you are searching for an inspirational new recording, look no further
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Your favourite stars on the composers, artists and albums they love
Our Editor introduces a special edition of Gramophone, out now, celebrating music for the movies
Our special edition reproduces the most significant articles about his music from our archives
Our special edition draws on 99 years of the finest writing about the composer's music
Editor Martin Cullingford introduces the December issue of Gramophone
As Oxford Philharmonic begins its Bach Mendelssohn festival at the end of this month, Katy Hamilton looks at the women responsible for Mendelssohn's revelatory discovery of the mighty St Matthew...
It’s heartening to see – some 250 years after Haydn’s first forays – so many composers still writing for string quartet
Editor Martin Cullingford introduces the November issue of Gramophone
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